whose story is it anyway?
So the other day I was pondering the (inevitable) movie that will be made of my Fathers and Sons story cycle, after it’s published, of course, and has collected numerous awards and accolades. I thought it would be difficult to tell the tales in visual form because so much involves the memories of the characters. So much is internal monologue. And I realized the movie version would need a narrator.
Then I wondered who could possibly be knowledgeable enuf about these characters’ lives to be able to tell their stories in sometimes quite intimate detail. And I had a revelation.
I have always asserted that a third-person narrator of any fiction should be as much a character (to the writer) as any character in the story. (I’ve babbled about it here on the humble blog even. Witness this old post. Nice Walden reference there too.) Even if this narrator is no more than the affectless voice that tells the tale, the writer should know him or her well. Know the narrator’s ambitions and frustrations and favorite foods and shoe size. What is the narrator’s motivation, agenda? Even if the reader never knows this, the telling of the tale will be better because the writer does.
And I realized who the narrator of the Fathers and Sons stories had to be. It was like a bolt out of the blue. Of course! It all made suddenly perfect sense. It made every single word I had written and would write fit the narrative precisely. Every thing spoken and unspoken, every nuance and sly reference, would be controlled and would serve a higher, deeper purpose. (Oxymorons are an important narrative device in the stories, by the way.)
I’ve struggled with some of the stories feeling too sentimental, but with this new narrator in mind, I think I can resolve that. Not necessarily by removing the sentimentality either. And as I go back to “finished” stories to polish and refine them, knowing exactly who the narrator is will guide me.
No, I won’t tell you who the narrator is. I’m not even sure I want to identify this person in the stories themselves. That may or may not feel like a cheat to the reader. I’ll have to see how it goes. But as a writer of the stories, it is a paramount matter and a profound understanding for me.
Can you tell this is a big deal for me?