meanwhile

You’re too polite to ask, but I’m sure you’ve been wondering: what’s the status of “Spring Fever,” that love story that ties in to the One-Match Fire universe?

Well, I’ve pondered it, revised it, shortened it, deepened it, and more or less struggled with it, and now, at 4,300+ words, I think I’ve finished it. I introduce a new character and a new relationship (one that might threaten the dynamic of my One-Match Fire family or one that may broaden and enrich it).

But it ain’t that simple. The story ripples and I still need to revise “Little Gray Birds” (currently the penultimate story in One-Match Fire) as a consequence.

And if/when I do that, I’m finding that I’m left with some unfinished business in that novel. There is a consequence to “Spring Fever” that can’t be left unspoken in the story line. So I see myself writing yet another story for One-Match Fire. (Recall that I had not been trying to submit the novel because I had this nagging notion that it was “not finished.” And here I am, not finished with it.) I’ve already begun making notes for that new story, and I even have a tentative title for it: “Deadfall.”

“Spring Fever” was meant to be the first chapter of a sequel to One-Match Fire, resolving the great mystery in the relationship between a father and son there, but now I’m thinking that maybe “Spring Fever” just needs to be added to One-Match Fire as its own chapter. There’s a place for it. The story would fit nicely in the narrative and it would add its heft to the novel, a novel that I always thought was a little short in terms of word count anyway.

And if I write that “unfinished business” story and add it to the novel as well, I’ll have a bit more heft and substance.

The trouble is that all of this requires a fundamental rethinking of the “resolution” of the conflict in the novel. Rather than being implied, it will be stated. I’m becoming more comfortable with this, but change is not always easy.

Explore posts in the same categories: Fathers and Sons

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