writing is rewriting

and I much prefer writing.

I mentioned before that an editor liked a running story (with a hint of leprechaun) that I had submitted and asked for a rewrite, enhancing the (possible) supernatural element of the tale. I’ve been struggling with that task ever since.

I’ve found that actual rewriting — taking a “finished” piece and reworking it — is different from the ongoing rewriting that is part of the normal editing and evolving of a story in progress. The latter is in flux in my mind, and I can wrap my head around its shifting nature. Not so with the former.

I suppose when I consider a story “finished” I lock it down in my little mind. Its words and sentences and order and development are all in their proper places, and any change to that, especially directed from the outside, is a kind of violence to the settled system. Each word had stood in its exact place in the “finished” work, the right flow was achieved, the right order led to the inexorable end. But with a rewrite I have to rip much of that apart and try to piece it all back together, with new, added parts that also need to find their places.

The story deals with a man asking a wish of someone whom he drunkenly thinks can grant it. This happens, but cautionary tales through the ages have warned of the need to be careful and specific in phrasing wishes to supernatural wish granters, and my character learns this lesson.

So I have the basic rewrite cobbled together now. It’s not finished. It needs a lot of love and a fair amount of cosmetics to smooth the clumsy transitions where I forced parts together. But it’s something I can work with. I’ll give it time to gestate and return to it to see what can be done.

 

Explore posts in the same categories: Humble efforts, Process

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