omne trium perfectum

Like a dog worrying an old sock, I sometimes just can’t let go of an idea. That can be a good thing, of course, or it may be a bad thing, or it may just be an inconsequential thing.

I mentioned in this recent post about what I believed was the genesis of my use of “threes” in my writing. I’m reading a Joseph Conrad novel now — a rippin’ yarn about a sailing crew on a long and dangerous journey that carries some implied and overt lessons about racism, including Conrad’s own perhaps — which makes me think about those “threes” again.*

And it turns out that use of threes is actually commonplace as a rhetorical device. This Wikipedia entry goes into some detail (with the added links) about not only the device in its various forms but examples of it across ages and cultures.

I don’t know if knowing this is humbling or exalting for my ego and writing aspirations. I like to think that I came by it honestly, that I absorbed it by osmosis from reading or that it is part of human hardwiring. But as I’ve said here many times, I don’t really want to know too much about my creative process lest I slay it with consciousness. I suspect that I’m going to be extra aware in the weeks and months ahead, either deliberately choosing to use the device or questioning/doubting when I do so unconsciously and then recognize it later. (And I realize that with these kinds of things, less is generally more. More or less.)

Also, I wonder if this is the reason I am a strong advocate of the Oxford comma.

__________

*This copy of the novel has about forty pages of foreword and analysis about the novel and Conrad’s writing in general, including a reference (maybe even a gibe) to his use of threes.

Also, the title of this post is supposed to be set in italics, and I have used the proper HTML to do that, but it keeps getting dropped.

Explore posts in the same categories: Process, Toolbox

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