Today is Philip Roth’s birthday. Please make the appropriate observances.
Categories: Ramblings Off Topic
My wife and I spent one evening last week hitting all of the local bookstores in town that were open, looking for a couple of books each, but I was specifically on the hunt for Steppenwolf (the novel by Herman Hesse, not the band most famous for “Born to be Wild”). I finally found it (as well as two other books, but that’s one of the delights of visiting libraries and bookstores) at the fourth store we visited. I brought it home and set it on my to-be-read shelf while I finished what I was reading at the time.
When I finally began reading Steppenwolf, I opened the cover, and a small note fell out. At first I thought it was someone engaging in the kind of guerilla marketing I do. The note turned out to be what you find in a fortune cookie.
Look to the coming month for a
solution to your problem
That coming month, March, is now upon me, and I’m eager to find out both what my solution and my problem are.
Categories: Fathers and Sons
I’m making some really nice progress on my latest Fathers and Sons story, “Father’s Day.” It’s been revealing itself to me cautiously and letting me craft it slowly and carefully. I’m pleased. (What an odd feeling!).
I have more than 1,500 words down, and I’ve reached the halfway point, at least as I understand the story now. I know what I want to do; I know the story I want to tell, and that’s refreshing. Too many times (too many failures) I have embarked on a story only to get stalled along the way, flailing about fruitlessly and surrendering in frustration. (How many metaphors did I mix in that last sentence? And is “flailing about fruitlessly” redundant?)
In structure, this story is going to be a lot like “The Lonely Road.” It will begin with a character in anguish and then end with healing tenderness. Only my central protagonist, Davey, and his wife, Kathy, are in the story, but it is very much about the relationships between fathers and sons. (In this way, the story is something like another F&S story I’ve written called “The Saddest Casualty” that has only Davey and his mother as characters but is also very much about Davey’s relationship with his father and the things that sometimes are not/cannot be said between fathers and sons.) Kathy is, of course, more discerning than her husband, so her reflections on his laments help develop the connections to the characters who are off stage.
The second half of this story takes place at the family’s little cabin in the Ozarks. I’m eager to get to work on that part since a) that cabin is their location of healing throughout the cycle, and b) I haven’t been out to my own cabin for more than two months (YIKES!), so at least I’ll get to experience one by proxy.
I feel as though I’ve gotten past something, some damned thing that wasn’t letting me write at all. I haven’t resolved that something yet, but I’m in battle with it, and I’m grateful that I’ve made enuf progress to be able to write again. Maybe next I’ll be able to read fiction the way I used to.
Wish me luck. And momentum.
Categories: Rants and ruminations
File this post under Rants and Ruminations. I have recently quit a group on Facebook called Grammarly. It is a somewhat tongue-in-cheek collection of complaints about people who have poor grammar, spelling, and usage skills. (Perhaps more about the skills than the people.) And it is the front door for a website, also called Grammarly, that sells a service that will analyze your writing and find all of the “mistakes” in it so you can become a better communicator.
Long-time readers of this humble blog know that I have only grudging regard for the so-called “rules” of grammar, especially in creative writing. (See my old Continuum post.) Communication comes first, and generally a person’s meaning is clear despite “incorrect” grammar, word choice, punctuation, and spelling. I believe I have the chops to make such an assertion. I have written technical manuals, feature articles, newsletters, and fiction. I have been both a book editor and a magazine editor. I have a master’s degree in professional writing, and I taught English composition at community college for several years. I know my way around a sentence. (My grammar “error” of choice is the sentence fragment, and none of the editors who have published my stories has ever complained about them. As Emma Darwin has said, grammar is a tool, not a rule.)
In most of the examples of errors they cite and then slightly ridicule, they are, to my mind, a bit mean and even condescending. (Your/you’re, its/it’s, supposably, less/fewer, and the like) The group also includes readerly or writerly quotations and occasional links to their website. It’s all benign, but it feels petty. I have occasionally left a comment on some of their posts when I find their point especially elitist or unkind. Usually I get flamed, saying I lack a sense of humor and that the point is just joking around. (Funny, isn’t that what bullies say too? And should I put a comma before “too”? Ellen?)
One of their posts cited a somewhat famous article in the Harvard Business Review by Kyle Wiens. In this article he says that he will not hire a person, regardless of qualifications, if that person exhibits poor grammar in the pre-employment test he gives all applicants. He calls himself a grammar “stickler.” That’s being generous in my view, but read and judge the article for your fine self. (There is a story, probably apochryphal, that Henry Ford would take potential employees to dinner, and if they salted their food before tasting it, they would not be hired. Imagine the talent that went on to work for his competitors based on this arbitrary standard.)
Grammar, of course, is the codification of how we communicate today. Hamlet could not have been written by our current set of rules. Nor Moby Dick. Some grammar is optional, often dependent on no more than which style book you’ve sworn allegiance to. Much usage is regional. Even spelling can be variable. (My life goal is to get “enuf” accepted as standard spelling.) So-called poor grammar is probably the most common failing of people as well as the most easily “corrected.”
Further, I’m convinced that the vast majority of employers, consumers, and other potentates wouldn’t know a good sentence from a bad one. That’s certainly been my experience in the working world.
Bottom line: I would not want to work at a place that has such an intolerant approach to such an ambiguous matter.
Categories: Fathers and Sons, Rants and ruminations
Following Saturday’s feat of will (when I rose early and managed, despite my inertia, to get two of my stories submitted to lit mags), I rose early on Sunday to see if I could do some actual, you know, original writing.
Sometime back I had said I needed to work on my Fathers and Sons stories in the order they will occur in the chronology of the tale. I assumed that by treating the cycle somewhat like a novel, I would see/know/develop the relationships between the characters, the stories, and so forth. Sounds like a fine idea, but I haven’t had the luxury lately working in a sensible, coherent manner. Any story, in any order, that presents itself to me, that asserts it should be written, is motivation enuf for me to give it a try.
And so it was on Sunday morning. One of the stories in the cycle I’m calling “Father’s Day,” and this has been the one that has been growling at me, is insisting that it be written now. I’d been making notes for this story for as long as I’ve been working on the Fathers and Sons stories (I think it’s three years now!). I’ve learned from experience that if I don’t wait until I have critical mass, an attempt to write a story that isn’t ready will fail. I took the growling as an indication that part of my creative self had decided that “Father’s Day” had reached critical mass.
And so that is the one I chose to attempt to try to perhaps maybe just maybe make a tentative, un-confident beginning with. I have the “plot” of it mostly worked out already in my head. (It begins and ends with two people together in bed, the same people but different beds.) And I certainly know the theme and tone I want to achieve. These two have, for me, been the greatest indicators of critical mass in the past. All I had to do was get some words down. I could revise them later, but I needed to get the pixels on the page (so to speak) and make a beginning.
Surprise! I managed to get 500 words strung together. I agonized over these words for several hours. I wrote them and erased them. I moved them around. I reconsidered. I strengthened. I obscured. (Can I use that as a verb?) I fussed and fretted. And I stuck with it despite my doubts and misgivings. I think they’re 500 good words, and I think they are a good beginning as well. I think I can come back to them now and pick up where I left off.
The 500 words are barely the beginning of the actual story. I suspect this will be one of the longer of my stories, so I may be at this one for a long time. That means I need to be concerned that I don’t lose the momentum or spark or vision or whatever it is that has allowed me to write once again.
But for now, I am writing. I said yesterday that I lately have felt like a stranger to myself. Today I feel like a stranger in a strange land.
Categories: Process, Rants and ruminations
Okay, skip this navel-gazing post if you want. I’m pretty much just letting my fingers tap out whatever words they want in a stream-of-consciousness sort of way.
For several months I have been unable to write. I can’t seem to concentrate. I can’t enter the creative space where I find my stories. I seem locked out of my own head. (Have you ever been locked out of your house? Like you come back from a long run in your skimpy running shorts, carrying nothing more than your phone and a couple of depleted packs of GU, and you find the house locked and your wife elsewhere and not answering her phone? That’s how my brain has been lately. Oh, add two barking dogs who make a lot of noise but can’t let you in. My brain has been making a lot of noise but won’t let me in.)
On Saturday morning, in a feat of will just to persuade myself that I might still have some motivation, I looked at two of my stories that I think are more or less finished. I edited them, fine tuned them, I guess. Then I sent them to a couple of journals that are developing issues with themes that seem to match what I am trying to do with my stories. This took a lot of effort. My desire to do this didn’t come from my creative drive but from somewhere else. Maybe worry that . . . I don’t know.
(I am going somewhere with this.)
When I was reading my two stories, I was struck by how foreign they seemed. I can remember writing them, of course, but I don’t know how I picked the words I did or how I managed to structure the sentences to carry their weight. And crazy stuff like that. It was as though I was reading someone else’s stories. (A halfway decent writer, I think, whoever he is.) I was editing someone else’s stories, and I guess improving them a little, but it was as though I was never a part of their creation. Does that make sense?
This is unpleasant. It’s unpleasant enuf just to feel like a stranger to myself. But more immediately, it’s unpleasant to think that I am no longer (or at least not currently) the same person as the guy who wrote those stories. The person I am now certainly can’t write like that. (And I still have four or five Fathers and Sons stories I have to get written to complete the cycle.)
I’m not even making the notes about my stories that I occasionally would and that I could persuade myself was a type of writing. (One little idea did come up during the last week, but it wasn’t new material. It was more of a connection between two stories that I could make — if I ever write the second story.)
I’ve been told several times that I think too much. (By people whose discernment I never had much regard for.) Am I paralyzing myself with all of this introspection? Or am I on the way to a better me?
I think I know what’s at the bottom of this (not writer’s block), but that bottom is pretty deep and getting there to deal with it ain’t no fun, folks. Writing has been a part of my entire adult life (and most of my childhood once I figured out how fiction can transport a person). I suspect I’ll get back to it, get back to that creative space in my noisy brain where I find my stories. I’m not asking for pity (and certainly not empathy). I’m just “introspecting” and writing this post to see if there is still something in me, biding its time and waiting to return.
Yeah, it sucks!
Categories: Rants and ruminations
Here’s how it’s been going:
Sunday – Wrote nothing. Edited nothing. Read nothing. Slept in. Ran 6.2 good miles on the treadmill. Stumbled around the art museum.
Monday – Wrote nothing. Edited nothing. Read a little. Went to work. Went to a doctor’s appointment. Sat around like a slug in the evening.
Tuesday – Wrote nothing. Edited nothing. Read a little. Went to work. Ran 6.5 good miles on the treadmill. Sat around like a slug in the evening.
Wednesday – Wrote nothing. Edited nothing. Read a little. Went to work. Did a little weight training in the gym. Sat around like a slug in the evening.
Thursday – Wrote nothing. Edited nothing. Read a little. Went to work. Ran 7 good miles on the treadmill. Sat around like a slug in the evening. Had a generally dark and dismal day.
Friday – Wrote nothing. Edited nothing. Read a little. Went to work (but skipped out early). Went to the movies (The Imitation Game). Ate two slices of very dense and very sweet cake. Sat around like an overfed slug in the evening.
Today – Rose at 2:30 a.m. (That’s not a typo.) Edited two of my stories. Through a supreme act of will, submitted the two stories to two different journals. Fell back in exhaustion. Contemplated running on the treadmill.
I doubt I’ve broken my current cycle of inertia, but maybe I have. I’ll watch the actions of this person I am and see. Perhaps I’ll have more to tell you later.